SPECIFICATION
| |
|
| Soundboard:
|
European
spruce |
| |
|
| Back:
3 laminate |
Brazilian
rosewood |
(see
below) |
Spruce |
| |
Spanish
cypress |
| |
|
|
Sides: 2 laminate |
Brazilian
rosewood |
(see
below) |
Spanish
cypress |
| |
|
| Neck:
|
Cedar |
| Fingerboard:
|
Ebony |
| Scale
length: |
650mm |
| Width
at top nut: |
52mm |
| Body
length: |
490mm |
| Upper
bout: |
273mm |
| Waist:
|
239mm |
| Lower
bout: |
360mm |
| Depth
at heel: |
90mm |
| Depth
at bottom: |
98mm |
| Weight:
|
Kg
2.06 |
| Bridge:
|
6
double hole ties |
| Frets:
|
20 |
| 7th
fret marker |
9
ct gold inset dot |
|

9ct
gold dot insert at 7 fret |
| The
sides of the guitar are made as the upper sample
2 piece laminate:
Inner 2.0mm Spanish cypress, outer 2.0mm Brazilian
rosewood. |
| The
back of this guitar is made up of the following,
lower sample 3 piece laminate:
Inner 2.0 mm Spanish cypress,
middle 2.0 mm spruce,
outer 2.0 mm Brazilian rosewood.
|
|
|
| This
new model took many months in development
from my original model inspired by the guitars
made by Antonio de Torres.
The European spruce soundboard is braced
with 7 fan struts as my original Torres
model. The sides are of a double laminate
and the back of a triple laminate as can
be seen in the description below.
|
| This
developement has produced a guitar with
exceptional projection whilst retaining
a tone with clear fundamentals, good sustain
and a palette of colour that would have
brought a smile to the face of Picasso |
|
|
| with
DEFRA certification
for Brazilian rosewood |

Each
rosette is individually made.
|
|
| The
Brazilian rosewood bridge has six double holes
in the tie block providing for good break angle
of the strings.
|
|
|
| Body
Volume:
11.14 litres |
| This
refers to the approximate internal capacity of
the soundbox and gives. for comparison, a more
accurate size of the different models that I make. |
|
ie if the body cavity were filled with a liquid
this is how many litres it would hold. |
|
Robson
hand made tuners with rosewood buttons |
|
|
Double
thickness binding on bass side of guitar provides
for greater rounding and more comfort. |
|
|