| SPECIFICATION
| Soundboard:
|
European
spruce |
| Back: |
Birdseye
maple |
|
Sides: |
Birdseye
maple outer
Maple inner |
| Neck:
|
Cedrilla
& maple splice |
| Fingerboard:
|
Ebony |
| Scale
length: |
640mm |
| Width
at top nut: |
50mm |
| Body
length: |
494mm |
| Lower
bout: |
358mm |
| Upper
bout: |
274mm |
| Waist:
|
238mm |
| Depth
at heel: |
86mm |
| Depth
at bottom: |
98mm |
| Weight:
|
Kg
1.74 |
| Bridge:
|
6
double hole ties |
| Frets:
|
20 |
| 7th
fret marker |
9
ct gold inset dot |
|
|
Each
rosette is individually made with very slight variation
in design. The outer & inner circles of the rosette
are the same as the purfling around the edge of the
soundboard. |
|
| This
instrument owes it's inspiration to the
guitars made by Antonio de Torres
|
|
|
The
laminate sides of this guitar
are Birdseye maple outer skin
and Maple inner skin. It has a raised binding
on the lower bout bass side of the guitar. |
|
most
of my guitars have bridge with 12 holes for
good break angle and ease of re-stringing.
(see
specification for each guitar)
|
|
|
| This
refers to the approximate internal capacity of
the soundbox and gives. for comparison, a more
accurate size of the different models that I make. |
|
ie if the body cavity were filled with a liquid
this is how many litres it would hold. |
|
Birdseye
maple head veneer
Thomas Rubner tuners with imitation
ivoryl buttons |
|
|
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